MANDALA
Jose and Miriam Arguelles
Deals comprehensively with the mandala, as a universal principle, a vision, a way of growth, a ritual technique, and an essential life process.
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"The Vegetative [Living] Universe opens like a flower from the earth's center in which is Eternity." William Blake
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"It is the Mandala that can burst the fetters of man's internal bondage and conflict by leading him to a viewpoint from which the various polarities may be harmonized."
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"Since archetypes are what give form to the collective unconscious, awareness of the archetypes in everyday living is a means by which the elements of existence may acquire a more conscious structure. Situations exist for the purpose of our being able to center and create ourselves anew through them."
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"The holistic perception of alchemy relates directly to the Mandala. Many alchemical charts take on a Mandala form in revealing the integral interrelationships between the elements and qualities of nature. Alchemy also defines the proceses of consciousness as an on-going state of integral awareness."
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"Could men see clearly – as the seers have always seen – experience would be apprehended as an organic whole, continually proceeding from and returning to the one source – the center of being."
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"As a cosmogenic model, the Mandala is a synchronous, self-renewing whole."
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"The circle is the original sign, the prime symbol of the nothing and the all; the symbol of heaven and the solar eye, the all-encompassing form beyond and through which man finds and loses himself."
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"Very gradually a global perspective is forming. Man's conscious activities must be seen in light of a larger ecological fabric and in relation to the biosphere, atmosphere, and other levels or layers which form the evolving matrix of the planet earth."
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"Laurette Sejourne speaks of the Law of the Center which 'prevents the splitting asunder of opposing forces.' Cycles, whether pertaining to life and death, space and time, visible and invisible forces, are held together in concentric patterns. Understanding the Law of the Center as a basic principle of nature, men have been able to construct vast systems, and to perceive various levels of order throughout the universe."
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"The Mandala is the Mother of symbols."
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"The center principle manifests itself through man in the same ways as it does through a flower or a star; in it we may discover our cosmic commonality – our cosmic community."
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"The center is the beginning of the Mandala as it is the beginning and origin of all form and of all processes, including the extensions of form into time."
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"Everything in nature is a blend of these two forces [yang and yin]. What is demanded is a holistic point of view so that an over-identification with either one of the terms is avoided. The light implies the dark, the male, the female – there is no absolute separation, for both create the whole…Within the whole which they comprise, the alternation of these two forces create the processes of nature and the entire universe, visible and invisible."
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"The Mandala has appeared throughout man's history as a universal and essential symbol of integration, harmony, and transformation. It gives form to the most primordial intuition of the nature of reality, an intuition that inheres in each of us, giving us life."
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"The basic forces create and sustain each other through the mysterious power of the center. From this center flows the evolution of all phenomena in a symmetrically radiating manner. This is a cosmogenic process, which is beautifully described in the Great Treatise of 'The Book of Changes.'"
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"Sorrow is only a transition between ignorance and illumination. Underlying even the basest acts and forms is the redeeming flow of an eternally self-transformative energy."
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"The Mandala was developed as a reminder of the direct perception of reality."
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"Man is a transition, an agent of transformation as well as the material to be transformed. This transformative operation can occur only through the focusing power of some new symbol or image of the whole process in which man now finds himself involved. In its universality, the Mandala provides at least the base structure for such a symbol."
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"Through contemplating his very form and the nature of his existence, man has often found a correspondence or series of correspondences to the workings of the cosmos as a whole – the macrocosm….If man conceives of himself as a microcosm, his way of life and community also take on the character of a cosmic order. Inherent in this idea is an intuition of the basic harmony of the universe and of man's desire to realize himself accordingly."
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"Polarities are but the two extremes perceptible to us of one and the same motion."
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"Though the principle of the center is One, the patterns, the swirls and eddies of form and process which are generated by and through the center are infinite; and though infinite in number, the centers are essentially one, for each is the same irreducible point, the primary syllable, the word, the Logos, through which all is uttered."
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"In the present struggle of the planet the mandala presents itself as the seed-symbol of a more harmonized world order….The vision of renewed wholeness and brotherhood slowly spreads and filters through the consciousness of the [human] race."
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"If man has alienated himself from the source, the center within, then it is the purpose of a Mandala ritual for our time to be used as a primal tool for investigating and opening that center, once again granting the individual an identification with the cosmic forces and their source."
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"It is the vision of wholeness that heals and is self-healing."
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"The Mandala is a module exhibiting principles of organicity: interrelationship of parts, interdependence of systems, resonance and synchronicity."
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